Imagine a lengthy, bombast, emotional and atmospheric, yet somewhat repetitious post-rock jam. Now strip it down to the very basics: sparse guitar playing a skeletal melody, shy and distant ambience and drumming designed to barely keep pace, to deliver some vague semblance of a rhythm. This is pretty much what Velcro sounds like. A sort of ambientalized, introverted and quiet droning guitar jams in the vein of Roy Montgomery, except less spacey and more down-to-earth and a bit downer-y.
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